Enviado por flyingblackboard em 26/09/2009
O chamado "Golden Sequence" (um canto recitado ou cantado durante a Missa, antes da proclamação do Evangelho) para a festa de Pentecostes, na liturgia romana.
O hino é geralmente atribuída ou a do século 13 o Papa Inocêncio III (1160 ou 11611216) ou para o arcebispo de Canterbury, Stephen Langton (c. 11501228), embora tenha sido atribuída a outros também. A partir da Enciclopédia Católica:
Dean Trench e outros seguem em Durandus atribuindo a autoria da seqüência de Roberto II, que reinou em França 997-1031. Com o cardeal Bona, Duffield dá a Hermann contractus e defende fervorosamente para a atribuição.
A seqüência foi de fato encontrado em manuscritos do século XI, e do décimo segundo, mas escrito por uma mão mais tarde, e conclui-se que as datas algum tempo depois do meio do século XII. Isso faz com que a imputação provável Stephen Langton (qv), feita por um escritor que pensa que um cardeal Pitra cisterciense Inglês que viveu cerca de 1210 anos.
Mais provável é a atribuição de Inocêncio III feita por Ekkehard V no seu "Vita S. Notkeri", escrito cerca de 1220. Ekkehard, um monge de St. Gall, diz que seu abade, Ulrich, foi enviado a Roma por Frederico II, conferido com o papa sobre vários assuntos, e esteve presente na Missa do Espírito Santo, celebrada diante do Santo Padre.
A seqüência da missa foi "Sancti Spiritus Adsit gratia nobis". Observações Hereupon Ekkehard (o que provavelmente aprendeu com Abade Ulrich-se no seu regresso a St. Gall) que o próprio papa "tinha composto uma seqüência do Espírito Santo, ou seja," Veni Sancte Spiritus ".
A sequência mais velha, mas aos poucos cedeu ao seu rival, que era quase universalmente atribuído a um ou mais dias dentro da oitava. A revista Missal de 1570, finalmente atribuído a Whitsunday ea oitava. A revisão (1634) sob Urbano VIII esquerda, inalterado.
É um dos apenas quatro seqüências medieval preservada no Missal Romano publicado em 1570 na sequência do Concílio de Trento (1545-63), que purgada muitas das seqüências em uso em localidades diferentes.
É um dos apenas quatro seqüências medieval preservada no Missal Romano publicado em 1570 na sequência do Concílio de Trento (1545-63), que purgada muitas das seqüências em uso em localidades diferentes.
The text runs thus:
(Latin)
Veni, Sancte Spiritus,
et emitte caelitus
lucis tuae radium.
Veni, pater pauperum,
veni, dator munerum
veni, lumen cordium.
Consolator optime,
dulcis hospes animae,
dulce refrigerium.
In labore requies,
in aestu temperies
in fletu solatium.
O lux beatissima,
reple cordis intima
tuorum fidelium.
Sine tuo numine,
nihil est in homine,
nihil est innoxium.
Lava quod est sordidum,
riga quod est aridum,
sana quod est saucium.
Flecte quod est rigidum,
fove quod est frigidum,
rege quod est devium.
Da tuis fidelibus,
in te confidentibus,
sacrum septenarium.
Da virtutis meritum,
da salutis exitum,
da perenne gaudium,
Amen, Alleluia.
Português
Vinde, Espírito Santo,
Envias celeste
esplendor de sua luz.
Vinde, Pai dos pobres,
vêm doador dos dons,
vem, a luz do coração.
O grande consolador,
doce hóspede da alma,
doce consolo.
No trabalho, o descanso,
no calor, temperança,
em lágrimas, consolo.
O mais abençoada luz,
encher o coração mais íntimo
dos vossos fiéis.
Sem a sua vontade divina,
nada há no homem,
nada é inofensivo.
Lave o que é impuro,
água que está seca,
consertar o que está ferido.
Dobre o que é inflexível,
quente que é resfriada,
fazer direito o que está errado.
Dá a teus fiéis,
que confiam em você,
os sete dons.
Recompensar a virtude,
dar a salvação ao nosso repasse,
dar alegria eterna.
Amen.
Aleluia.
Pentecostes
(English)
Come, Holy Spirit,
send forth the heavenly
radiance of your light.
Come, Father of the poor,
come giver of gifts,
come, light of the heart.
Greatest comforter,
sweet guest of the soul,
sweet consolation.
In labor, rest,
in heat, temperance,
in tears, solace.
O most blessed light,
fill the inmost heart
of your faithful.
Without your Divine will,
there is nothing in man,
nothing is harmless.
Wash that which is unclean,
water that which is dry,
heal that which is wounded.
Bend that which is inflexible,
warm that which is chilled,
make right that which is wrong.
Give to your faithful,
who rely on you,
the sevenfold gifts.
Give reward to virtue,
give salvation at our passing on,
give eternal joy.
Amen.
Alleluia.
The so-called "Golden Sequence" (a chant sung or recited during the Mass, before the proclamation of the Gospel) for the feast of Pentecost in the Roman Liturgy.
The hymn is usually attributed to either the 13th-century Pope Innocent III (1160 or 11611216) or to the Archbishop of Canterbury Stephen Langton (c. 11501228), although it has been attributed to others as well. From the Catholic Encyclopedia:
Dean Trench and others follow Durandus in ascribing the authorship of the sequence to Robert II, who reigned in France from 997-1031. With Cardinal Bona, Duffield gives it to Hermann Contractus and argues earnestly for the ascription. The sequence has indeed been found in manuscripts of the eleventh century, and of the twelfth, but written by a later hand, and the conclusion is drawn that it dates sometime after the middle of the twelfth century. This makes probable the ascription to Stephen Langton (q.v.), made by a writer whom Cardinal Pitra thinks an English Cistercian who lived about the year 1210. More probable is the ascription to Innocent III made by Ekkehard V in his "Vita S. Notkeri", written about 1220. Ekkehard, a monk of St. Gall, says that his abbot, Ulrich, was sent to Rome by Frederick II, conferred with the pope on various matters, and was present at the Mass of the Holy Spirit celebrated before the Holy Father. The sequence of the Mass was "Sancti Spiritus adsit nobis gratia". Hereupon Ekkehard remarks (what he probably learned from Abbot Ulrich himself on his return to St. Gall) that the pope himself "had composed a sequence of the Holy Spirit, namely 'Veni Sancte Spiritus'". The older sequence yielded but gradually to its rival, which was almost universally assigned to one or more days within the octave. The revised Missal of 1570 finally assigned it to Whitsunday and the octave. The revision (1634) under Urban VIII left, it unaltered.
It is one of only four medieval Sequences preserved in the Missale Romanum published in 1570 following the Council of Trent (1545-63), which purged out many of the Sequences in use in different locales.
The hymn is usually attributed to either the 13th-century Pope Innocent III (1160 or 11611216) or to the Archbishop of Canterbury Stephen Langton (c. 11501228), although it has been attributed to others as well. From the Catholic Encyclopedia:
Dean Trench and others follow Durandus in ascribing the authorship of the sequence to Robert II, who reigned in France from 997-1031. With Cardinal Bona, Duffield gives it to Hermann Contractus and argues earnestly for the ascription. The sequence has indeed been found in manuscripts of the eleventh century, and of the twelfth, but written by a later hand, and the conclusion is drawn that it dates sometime after the middle of the twelfth century. This makes probable the ascription to Stephen Langton (q.v.), made by a writer whom Cardinal Pitra thinks an English Cistercian who lived about the year 1210. More probable is the ascription to Innocent III made by Ekkehard V in his "Vita S. Notkeri", written about 1220. Ekkehard, a monk of St. Gall, says that his abbot, Ulrich, was sent to Rome by Frederick II, conferred with the pope on various matters, and was present at the Mass of the Holy Spirit celebrated before the Holy Father. The sequence of the Mass was "Sancti Spiritus adsit nobis gratia". Hereupon Ekkehard remarks (what he probably learned from Abbot Ulrich himself on his return to St. Gall) that the pope himself "had composed a sequence of the Holy Spirit, namely 'Veni Sancte Spiritus'". The older sequence yielded but gradually to its rival, which was almost universally assigned to one or more days within the octave. The revised Missal of 1570 finally assigned it to Whitsunday and the octave. The revision (1634) under Urban VIII left, it unaltered.
It is one of only four medieval Sequences preserved in the Missale Romanum published in 1570 following the Council of Trent (1545-63), which purged out many of the Sequences in use in different locales.
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